Par Avion, by RudyAdrian on Groove

Par Avion

by RudyAdrian on Groove

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1.	1.Par Avion 09:06	buy track
2.	2.Bavarian Eagle 14:32
3.	3.Across the Canyons 06:05
4.	4.Soaring Birds 10:43
5.	5.Sore Birds 08:23
6.	6.Starfields II Part 1 18:37
7.	7.Starfields II Part 2 11:16

about

Rudy Adrian created the first 50 minutes for this cd for the internet radio shows "Stars End" in the USA (hosted by Chuck van Zyl) and "Silent Running" in Luxembourg (hosted by Garston Klares).
Musically, the cd is a successor to the critically acclaimed first three albums in the "Sequencer Sketches" series.
The music by the New-Zealander is an excellent mix between sequences and ambient structures. Adrian is a master of the sequence. The special thing is, that he doesn't use a stack of (analog) synthesizers and sequencers to realise this, but he creates all the music with just one single synth, a Yamaha SY77. The wonders of flight form an essential part of the album, hence the title. Again, Rudy proves to be one of those rare musicians that really have to ability to make the mentioned mixture work.

Just listen to the fantastic title track with which the album opens. The wonderful "Across The Universe" is a collaboration between Adrian and Alpha Wave Movement (Gregory Kyryluk), a musician that moves himself in a similar direction as Rudy.
The last two tracks Starfields 2-Part 1" and "Starfields 2-Part 2" should be seen as a bonus album". They represent the long-promised atmospheric half of Starfields-Sequencer Sketches Vol. 3".

Hopefully Rudy will continue with the Sequencer Sketches series for many years to come.

2007. Paul Rijkens

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released January 1, 2007

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Gorgeous berlin school space ambient. So serene, when I lie down I usually get knocked out during the first two songs. :-) Just... don't, sit down and give it the undivided attention it deserves. tr_🇺🇦
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Brennan starts right in with his characteristic propulsive-yet-soothing synthesizer tapestries, producing a compelling train-like rhythm. The subtle use of real chimes and bells, esp. on Pt. 3, gives a wonderful texture contrast to the electronic sequencer lines. Another solid contribution from a master of the softer side of Berlin School EM. Paul Asbury Seaman
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